Memento Mori - Rock progressif, Autoproduction et Delirium

Rock progressif, Autoproduction et Delirium

Archive pour le mois avril, 2006

Working on a song, new video

Par Anaon Le 29 avril 2006


Currently listening to: The Roof Of All Evil by Dream Theater (sic)
Mood: Thinking of her beautiful glance

Hello!

I have worked a lot on the second song of the first album. Well, it was meant to be acoustic but I can’t help myself. It will be as I feel it has to be, isn’t it? But things have changed somehow. I feel my songs in a different way. I hope it will works. You can catch a glimpse of what I’ve done with this video, click here to download

Oh yes, I have received my new master keyboard 88 notes. It’s really great! A different feel to play piano and write music, I feel really great about it. I still miss this good quality acoustic guitar and I’ll be ok for recording the album ;)

I can still smell the perfume of each cell of her skin…

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Currently listening to: Anathema “Alternative 4″
Mood: Hollow

Alternative 4… An emotionnal masterpiece which has always made me drown into the depths of my soul. There are a lot of different kinds of energy and strength in music as you know and we can feel a very strong energy from this album even if it’s painfully sad, it’s so deep and sincere that you can’t feel unchanged. Well, I can’t. It’s still the words I have in my mind and emotions I have in my heart I guess. Everything in its right place. I love everything on this album, from the absolutely beautiful prelude called “Shroud Of False” to the awkward sound and production, from the lyrics to the Cavanagh’s voice to the simplicity of some parts. Everything speak too me. I don’t remember when I have bought this opus nor how I dicovered it but it’s a real gift, even if it hurts.

Ok some light now because I guess you’re about to leave this place ;) I have spent the afternoon cleaning up my home-studio. Listening loudly to Opeth “Still Life” vinyl and first albums of Judas Priest. I know now that we can make tremble even stone walls with music, listen loudly to “The Moor”, how it’s fantastic.
So it gave me strenght to clean everything, dust is one of the worst enemy in a studio. And I have make some changes to welcome my new toys. I wait for a 88 notes masterkeyboard from Dresden, Germany. The Fatar TMK-88 which will allow me to feel more at ease for composing with piano sounds and I wait for this for a long time. It’s funny (I mean it makes me smile but you probably don’t find any joke here) but it’s like we can’t find the end of the keyboard on this picture, I hope that we don’t need of 2 meters arms.
Anyway, I’m about to order a fantastic logiciel that I have discovered for rythms because I’ll need it for composing as well for my acoustic project. Because I think that I will add some soft electronic beats in it. I need to try. Oh and I think I found a name for this project but I’m doing some search about it as seen as it’s not so original but I like the meaning and it’s the good reflection of the birth of this “thing”.

Peace and love. Or emotions at least.

And let’s end up this entry with those beautiful lyrics from D. Cavanagh (Anathema)

Regret
As I drift away… far away from you,
I feel all alone in a crowded room,
Thinking to myself
“There’s no escape from this
fear
regret
loneliness…”

Visions of love and hate
A collage behind my eyes
Remnants of dying laughter
Echoes of silent cries

I wish I didn’t know now that
I never knew then…
Flashback
Memories punish me once again
Sometimes I remember all the pain
that I have seen.
Sometimes I wonder what might
have been…

Visions of love and hate
A collage behind my eyes
Remnants of dying laughter
Echoes of silent cries

And sometimes I despair
At who I’ve become
I have to come to terms
With what I’ve done

The bittersweet taste of fate
We can’t outrun the past
Destined to find an answer
A strength I never lost
I know there is a way,
My future is not set,
For the tide has turned
But still I never learned to live
without regret.

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Scarsick

Par Anaon Le 21 avril 2006

Currently listening to: Emilie Simon “Fleur de Saison”
Mood: Thoughtful
Drinking: Honey infusion

We can learn on the official website that the drum parts of the new Pain Of Salvation’s album had been done. It took only five days, it lets me dreamy.

The recording has been done in a studio in Sweden but not in the Daniel Gildenlöw’s one. I hope that some day we’ll see some pictures of his den. It makes me thing that I have to change some stuffs in my own studio, in order to work and compose easily, and feel at ease… It’s the least that I can do those days seen as I’m ill. I hope it won’t last too long. I can’t breath. I miss her.

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Rock progressif sur M6

Par Anaon Le 20 avril 2006

Currently listening to: Symphony X “The New Mythology Suite”
Mood: ?
Drinking: Knockando single malt 12 years

Je ne peux m’empêcher d’en parler car hier était un jour historique mais peu de gens le savent ;) Aux alentours de 22h, le terme le terme de “rock progressif” a été employé sur M6, premier exploit, et second exploit, dans “la Nouvelle Star”. Enfin second exploit, quand on sait la présence du grand Manu Katché, il ne faut pas s’étonner, rappelons qu’il a notamment joué sur des albums de Peter Gabriel, Tori Amos, Joe Satriani ou Tears For Fears et même le dernier Genesis (Edit: N’importe quoi! Petit absence de ma part, j’ai confondu avec Nick D’Virgilio mais c’était pour voir si vous suiviez ;)). Bref, on pouvait s’attendre à ce que cela vienne de lui puisqu’on note quand même une tendance bien heureuse de sa part à essayer de parler de ce qui n’est pas forcément grand public. Et donc, il a abordé le truc par rapport à une reprise d’une cadidate, “Bohemian Rhapsody” de Queen. Il fallait oser me direz-vous. Ca a plu à Manu Katché qui disait avoir aimé la grandiloquence et le côté théâtral du truc comme dans “ce qu’on appelle le rock progressif avec des groupes comme Genesis”. Et voilà, un pas de plus est franchi :) Ca n’a aucune valeur pour le commun des mortels mais ça m’a fait plaisir mais si je ne rêve pas de voir passer Marillion dans le Hit Machine, entendons-nous bien.

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James Blunt - Goodbye My Lover

Par Anaon Le 20 avril 2006

Currently listening to: Dead Can Dance “Don’t Fade Away”
Mood: Bored

I have watched some excerpts of the James Blunt’s dvd. I confess that what he does speaks to me somehow. Even if his songs are on heavy rotation everywhere. The live version of “Goodbye My Lover” is impressive, there’s not a lot of choice, or you hate it, you find him too ridiculous or you just cry by empathy. I can’t even think find that ridiculous. Surely because I have already been ridiculous and creepy.

“Goodbye My Lover”

“Did I disappoint you or let you down?
Should I be feeling guilty or let the judges frown?
‘Cause I saw the end before we’d begun,
Yes I saw you were blinded and I knew I had won.
So I took what’s mine by eternal right.
Took your soul out into the night.
It may be over but it won’t stop there,
I am here for you if you’d only care.
You touched my heart you touched my soul.
You changed my life and all my goals.
And love is blind and that I knew when,
My heart was blinded by you.
I’ve kissed your lips and held your hand.
Shared your dreams and shared your bed.
I know you well, I know your smell.
I’ve been addicted to you.

Goodbye my lover.
Goodbye my friend.
You have been the one.
You have been the one for me.

I am a dreamer and when i wake,
You can’t break my spirit - it’s my dreams you take.
And as you move on, remember me,
Remember us and all we used to be
I’ve seen you cry, I’ve seen you smile.
I’ve watched you sleeping for a while.
I’d be the father of your child.
I’d spend a lifetime with you.
I know your fears and you know mine.
We’ve had our doubts but now we’re fine,
And I love you, I swear that’s true.
I cannot live without you.

Goodbye my lover.
Goodbye my friend.
You have been the one.
You have been the one for me.

And I still hold your hand in mine.
In mine when I’m asleep.
And I will bare my soul in time,
When I’m kneeling at your feet.
Goodbye my lover.
Goodbye my friend.
You have been the one.
You have been the one for me.

I’m so hollow, baby, I’m so hollow.
I’m so, I’m so, I’m so hollow.
I’m so hollow, baby, I’m so hollow.
I’m so, I’m so, I’m so hollow.”

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Multi-instrumentaliste, féru de rock progressif, passionné par l\'enregistrement et le mixage, j\'écris et compose pour Spleen Arcana. Je travaille actuellement sur mon deuxième album. Je voue une admiration sans limite pour Marillion, Mike Oldfield, Peter Hammill et beaucoup d\'autres groupes de rock progressif des années 70.

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